Christmas 2017

                                  The Nativity of the Lord 

                                    

Christmas Vigil

Reading 1. Isaiah 62: 1-5

Reading II. Acts 13: 16-17, 22-25

Gospel. Matthew 1:1-25 (Genealogy of Jesus Christ).

Christmas Midnight

Reading 1. Isaiah 9: 1-6

Reading II. Titus 2: 11-14

Gospel. Luke 2: 1-14 (she gave birth).

Christmas Dawn

Reading 1. Isaiah 62: 11-12

Reading II. Titus 3: 4-7

Gospel. Luke 2: 15-20 (the shepherds).

Christmas Day

Reading 1. Isaiah 52: 7-10

Reading II. Hebrews 1: 1-6

Gospel. John 1: 1-18 (the Word was with God).

There are four Masses that we could attend on Christmas. There is the Vigil Mass celebrated in the afternoon on Christmas Eve. Then there is the Midnight Mass. There is a Mass celebrated at dawn. Finally, there is the Mass for Christmas day. Each Mass has a different set of readings and so unless we get to church real early and read them all in the missalette, we will never hear the whole story.

All of the Masses begin with a joyful, exuberant reading from the prophet Isaiah. The reading from the Midnight Mass is typical:

            The people who walked in darkness

            have seen a great light;

            upon those who dwelt in the land of gloom

            a light has shone.

In the gospels we hear the story of the birth of Christ as told by St. Matthew and St. Luke. Little by little the characters in the Nativity scene are introduced. In the vigil Mass on Christmas eve, Matthew presents us with Mary and Joseph and tells us of Joseph's decision to take Mary into his house after finding her pregnant. In the Midnight Mass we find the stable and the manger, and the angels appear to the shepherds. At dawn, the shepherds go down to Bethlehem to find the child "lying in the manger." 

Finally, the gospel on Christmas Day is the famous beginning of the gospel of John, where John tries to explain the significance of the great event. In the beginning was the Word,

            and the Word was with God,

            and the Word was God.

No matter what Mass we attend all the readings testify that something unique and earth shattering occurred 2000 years ago. From Isaiah to John we hear that at that moment the darkness was pierced by a shaft of light and that because this tiny shaft of light entered the world, the world would never be the same.

Years ago I remember reading a novel by a little known Russian author about a day in the life of a prisoner in a Soviet concentration or prison camp. The book was written by a man who had himself spent 20 years in camps such as the one he described. He wrote the book secretly while in prison on little scraps of paper which had to be carefully hidden from the watchful eyes of the prison guards. The book was called "One Day in the Life of Ivan Denisovitch" and its author was Alexander Solzhenitsyn, who would go on to become one of the greatest authors of the 20th century.

When Solzhenitsyn's book first appeared, it was like a shaft of light cutting through the darkness of the vast Soviet empire. Until that time there were still those who defended that empire as a noble undertaking, or as the dawn of a new era in human history. Once the light appeared it exposed the rottenness, corruption, and brutality of that regime. The world would never be the same. Twenty years later the whole edifice came crumbling down.

Whatever Mass we attend today the readings all say the same--the light has come into the world and the world will never be the same. For each of us this Christmas it can be the same. A light can come into our hearts and we might never be the same. In the Vigil Mass we heard how Joseph after his dream, "did as the angel of the Lord had commanded him and took his wife into his home." For each of us who will take Mary and her child into their house this Christmas there is the possibility that our world will never be the same.

Below find two paragraphs on the significance of the Christmas tree from "the Owl, the Raven, and the Dove", a wonderful study of children's literature by G. Ronald Murphy, S. J.

                                            

"In a northern world in which every cold and snowy winter could be seen as a dangerous and prophetic vision of the end of the  world, it is not surprising that trees which could remain perceptibly alive and green, all through the cold of winter would be regarded as sacraments, visibly containing the real presence and life force of the unseeable Tree of Life. One tree, down to our own day, has retained in its very name in English the sacramental reverence that the Germanic people of England, Germany and Scandinavia had for it: the holly. "Holly" is, of course, "holy," and thus it was known as the "holy tree," since its holiness enabled it to keep itself alive--green--all through the time of winter cold. All the evergreens in the forest, including the more lowly ivy and laurel, must have been regarded with the same reverence.

The evergreen tree has found its most lasting and most emotional place in our culture, without a doubt, in the Christmas tree, an amalgam of Germanic legend and the Cross. In December of every year the tree comes into the house. A tree inside the home after all the centuries that have passed is quite miracle enough. To glorify and celebrate its ancient, compassionate magic power, it is decorated with lights (with burning candles in Germany!) and with tinsel, to make sure it looks radiantly stolid and happy despite the cold and ice. Then a star is placed at its peak, since Wise Men must surely find their way to this tree. Below the tree, as if he had just emerged from its trunk, the true source of the warmth of the Tree of the Universe and its power to renew life, encouragement, and protection against all the kinds of cold, is lying in a manger: the newborn child.

                        O Tannenbaum, O Tannenbaum,

                        how faithful are your leaves.

                        you are ever green, not only during the summer,

                        but even during the winter when the snow falls.

                        O Tannenbaum, O tannenbaum,

                        how faithful are your leaves."

From "The Owl, the Raven, and the Dove," by G. Ronald Murphy, S.J.

###

Christmas: Adoration of the Shepherds

Giorgione: Adoration of the Shepherds, National Gallery, Washington.

Scholars have expended more time dealing with the controversy that has surrounded the attribution to Giorgione of the so-called “Allendale Adoration of the Shepherds” than they have in trying to understand what is actually going on in the painting. Here I would like to deal with the subject and meaning of this famous Nativity scene that is now in Washington’s National Gallery.

The subject of the painting seems so obvious. It is a depiction of the adoration of the shepherds who have left their flocks to seek out the newborn Savior after hearing the angel’s announcement.

Now when the angels had gone from them into heaven, the shepherds said to one another, “let us go to Bethlehem and see this thing that has happened which the Lord has made know to us..” So they hurried away and found Mary and Joseph, and the baby lying in a manger.

Luke’s account of the angelic appearance to the shepherds is the traditional gospel at the midnight Mass on Christmas . The actual arrival of the shepherds at the stable in Bethlehem is the passage used for the gospel reading for the Christmas Mass at dawn.

The relatively small size of the painting indicates that it was done not as an altarpiece but for private devotion. Although the subject is clear, there is a deeper meaning.* Why is the infant Jesus lying on the rocky ground and not in a manger or feeding trough? Why is he naked? Where are the swaddling clothes?

Actually the newborn infant is lying on a white cloth that just happens to be on the ends of Mary’s elaborate blue robe that the artist has taken great pains to spread over the rocky ground. Giorgione is here using a theme employed earlier by Giovanni Bellini and later by Titian in their famous Frari altarpieces. The naked Christ is the Eucharist that lies on the stone altar at every Mass. The altar is covered with a white cloth that in Rona Goffen’s words “recalls the winding cloth, ritualized as the corporale, the cloth spread on the altar to receive the Host of the Mass.” In Franciscan spirituality Mary is regarded as the altar.

Clearly, the viewer-worshipper is meant to identify the Madonna with the altar and the Child with the Eucharist. Bellini's visual assertion of this symbolic equivalence is explained by a common Marian epithet. The Madonna is the "Altar of Heaven." the Ara Coeli, that contains the eucharistic body of Christ” Ave verum Corpus, natum de Maria Virgine.**

The “Adoration of the Shepherds” represents the first Mass. This is not such an unusual concept. Many years ago I attended a talk on the famous Portinari altarpiece that now hangs in the Uffizi. The speaker was Fr. Maurice McNamee, a Jesuit scholar, who argued that Hugo van der Goes had also illustrated a Mass in that Netherlandish altarpiece around the year 1475. His argument centered on the spectacular garments of the kneeling angels that he identified as altar servers wearing vestments of the time. He called them “vested angels,” and they are the subject of his 1998 study, “Vested Angels, Eucharistic Allusions in Early Netherlandish Painting.”

His Eucharistic interpretation explained the naked infant on the hard, rocky ground. The infant Christ is the same as the sacrificial Christ on the Cross. In a study of Mary in Botticelli’s art Alessandra Galizzi Kroegel referred to this connection.

it needs to be pointed out first of all that the Renaissance era saw the spread of practices of individual devotion to be carried out primarily in the home…From the theological perspective attention should then be drawn to the emergence of a new trend that…tended to identify the mystery of the Incarnation with the Redemption itself, focusing on the Passion with much less fervour than in the past: whence the growing popularity of  ‘incarnational’ iconographies celebrating the word made flesh, such as pictures of the Infant Jesus in his mother’s arms…while the demand for images with Christ on the Cross, very common in the fourteenth century was drastically reduced.***

It would appear that Giorgione has used the same motif although his angels have become little putti who hover around the scene. The shepherds represent participants in the Mass who kneel in adoration. 

There are many other iconographical details in this painting that could be discussed. Joseph’s gold robe indicates royal descent from the House of David. The ox and ass in the cave are symbols of the old order that has been renewed with the coming of Christ. So too would be the tree trunk next to the flourishing laurel bush in the left foreground. The laurel is a traditional symbol of joy, triumph, and resurrection.

Finally, it has been noticed that Giorgione has moved the main characters off to the right away from their traditional place in the center. Rather than diminishing their importance this narrative device serves to make all the action flow from left to right and culminate in the Holy Family.  Giovanni Bellini had done the same thing in his “St. Francis in the Desert,” and later Titian would use this device in his Pesaro altarpiece in the Frari. ###

*Two recent catalogs have offered interpretations. See Mario Lucco’s entry in Brown, David Alan, and Ferino-Pagden, Sylvia, Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting, Washington, 2006. Also see the very strange interpretation of Wolfgang Eller in Giorgione Catalog Raisonne, Petersberg, 2007.

**Rona Goffen, Piety and Patronage in Renaissance Venice, Yale, 1986. P. 53.

***Alessandra Galizzi Kroegel, “The Figure of Mary in Botticelli’s Art.” Botticelli: from Lorenzo the Magnificent to Savonarola, 2003. (ex. cat), p. 56.

Christmas

                                    Christmas 

                                   

Christmas Vigil

Reading 1. Isaiah 62: 1-5

Reading II. Acts 13: 16-17, 22-25

Gospel. Matthew 1:1-25 (Genealogy of Jesus Christ).

Christmas Midnight

Reading 1. Isaiah 9: 1-6

Reading II. Titus 2: 11-14

Gospel. Luke 2: 1-14 (she gave birth).

Christmas Dawn

Reading 1. Isaiah 62: 11-12

Reading II. Titus 3: 4-7

Gospel. Luke 2: 15-20 (the shepherds).

Christmas Day

Reading 1. Isaiah 52: 7-10

Reading II. Hebrews 1: 1-6

Gospel. John 1: 1-18 (the Word was with God).

There are four Masses that we could attend on Christmas. There is the Vigil Mass celebrated in the afternoon on Christmas Eve. Then there is the Midnight Mass. There is a Mass celebrated at dawn. Finally, there is the Mass for Christmas day. Each Mass has a different set of readings and so unless we get to church real early and read them all in the missalette, we will never hear the whole story.

All of the Masses begin with a joyful, exuberant reading from the prophet Isaiah. The reading from the Midnight Mass is typical:

            The people who walked in darkness

            have seen a great light;

            upon those who dwelt in the land of gloom

            a light has shone.

In the gospels we hear the story of the birth of Christ as told by St. Matthew and St. Luke. Little by little the characters in the Nativity scene are introduced. In the vigil Mass on Christmas eve, Matthew presents us with Mary and Joseph and tells us of Joseph's decision to take Mary into his house after finding her pregnant. In the Midnight Mass we find the stable and the manger, and the angels appear to the shepherds. At dawn, the shepherds go down to Bethlehem to find the child "lying in the manger." 

Finally, the gospel on Christmas Day is the famous beginning of the gospel of John, where John tries to explain the significance of the great event. In the beginning was the Word,

            and the Word was with God,

            and the Word was God.

No matter what Mass we attend all the readings testify that something unique and earth shattering occurred 2000 years ago. From Isaiah to John we hear that at that moment the darkness was pierced by a shaft of light and that because this tiny shaft of light entered the world, the world would never be the same.

Years ago I remember reading a novel by a little known Russian author about a day in the life of a prisoner in a Soviet concentration or prison camp. The book was written by a man who had himself spent 20 years in camps such as the one he described. He wrote the book secretly while in prison on little scraps of paper which had to be carefully hidden from the watchful eyes of the prison guards. The book was called "One Day in the Life of Ivan Denisovitch" and its author was Alexander Solzhenitsyn, who would go on to become one of the greatest authors of the 20th century.

When Solzhenitsyn's book first appeared, it was like a shaft of light cutting through the darkness of the vast Soviet empire. Until that time there were still those who defended that empire as a noble undertaking, or as the dawn of a new era in human history. Once the light appeared it exposed the rottenness, corruption, and brutality of that regime. The world would never be the same. Twenty years later the whole edifice came crumbling down.

Whatever Mass we attend today the readings all say the same--the light has come into the world and the world will never be the same. For each of us this Christmas it can be the same. A light can come into our hearts and we might never be the same. In the Vigil Mass we heard how Joseph after his dream, "did as the angel of the Lord had commanded him and took his wife into his home." For each of us who will take Mary and her child into their house this Christmas there is the possibility that our world will never be the same.

Below find two paragraphs on the significance of the Christmas tree from "the Owl, the Raven, and the Dove", a wonderful study of children's literature by G. Ronald Murphy, S. J.

                                            

"In a northern world in which every cold and snowy winter could be seen as a dangerous and prophetic vision of the end of the  world, it is not surprising that trees which could remain perceptibly alive and green, all through the cold of winter would be regarded as sacraments, visibly containing the real presence and life force of the unseeable Tree of Life. One tree, down to our own day, has retained in its very name in English the sacramental reverence that the Germanic people of England, Germany and Scandinavia had for it: the holly. "Holly" is, of course, "holy," and thus it was known as the "holy tree," since its holiness enabled it to keep itself alive--green--all through the time of winter cold. All the evergreens in the forest, including the more lowly ivy and laurel, must have been regarded with the same reverence.

The evergreen tree has found its most lasting and most emotional place in our culture, without a doubt, in the Christmas tree, an amalgam of Germanic legend and the Cross. In December of every year the tree comes into the house. A tree inside the home after all the centuries that have passed is quite miracle enough. To glorify and celebrate its ancient, compassionate magic power, it is decorated with lights (with burning candles in Germany!) and with tinsel, to make sure it looks radiantly stolid and happy despite the cold and ice. Then a star is placed at its peak, since Wise Men must surely find their way to this tree. Below the tree, as if he had just emerged from its trunk, the true source of the warmth of the Tree of the Universe and its power to renew life, encouragement, and protection against all the kinds of cold, is lying in a manger: the newborn child.

                        O Tannenbaum, O Tannenbaum,

                        how faithful are your leaves.

                        you are ever green, not only during the summer,

                        but even during the winter when the snow falls.

                        O Tannenbaum, O tannenbaum,

                        how faithful are your leaves."

From "The Owl, the Raven, and the Dove," by G. Ronald Murphy, S.J.

###